but if you chop in reaper, you have that plus 1000. In fact we've never had it better, though i agree there is a ways to go for some of these options.ĭefinitely. Hahah come on pal we don't have it that bad That bar might be composed of six slices, or eight, or an odd number to get that stutter effect or that extra horn hit in there.Īnd I know there are bound to be Stoupe fans in any discussion like this, so we need the ability not just to chop and arrange, but to layer the chopped stuff.that floating vocal or violin above the main progression.Īs for the "joy" part, anyone who has seen Youtube vids of guys like Boonie Mayfield or Disko Dave know what I'm talking about.cats using the pads not as a piece of hardware, but as real instrument.Īll that routing, fiddling with assignments, and frustrating, non-intuitive chopping really drains the spontaneity and fun out of the process. Selecting 1/8 - 1/32 is just not going to work.I really need to get in there and place the marker exactly on the first downbeat, and have the option to chop in non-symmetrical ways.īecause those of us rocking that Large Pro, Pete Rock style are not just looping a 4/4 bar. What I mean is that we hip hop heads cannot be restricted to a time signature when grabbing and chopping samples. I realized I could have been more descriptive also, instead of just bitching about the other "samplers" lol. I'm going to give Poise a try tonight and see how that turns out.
Thanks for all the replies and the good info.
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